Lullabies For Activists

A couple friends and I played and sang lullabies last week to help young activists rest. A new setting for a most ancient human activity. We enjoyed it enough we plan to do more. If you’d like to come to one, RSVP and I’ll add you to my contact list so you hear about them. This is not a jam, and not a concert either. A small group of professional musicians who are particularly skilled at lullabies will do our best to actually help you fall asleep for an hour or so. Bring a sleeping bag, pillow and mat. Activists could use a bit of reassuring rest!

I have always loved lullabies. Here are a few with me playing that have been recorded over the years:

Flatworld
With long-time Puget Sound Guitar Workshop collaborators Richard Scholtz on autoharp, Janet Peterson on cello, and Laura Smith on banjo. I love the way the four of us have figured out how to slow time down with and for each other. Banjo is not often thought of as a lullaby instrument, but in Laura’s hands, it can do anything. Written by Andy Cutting, an accordion player from England.  Andy plays it very fast, but I have taken liberties.

Sweet And Low
A cradle song written by Alfred Lord Tennyson in the 1860s and set to music by Joseph Barnaby. My mom used to sing us to sleep with it. My brother introduced me to Aimee Ringle the night before. In course of staying up all night playing music, we discovered that both our moms sang it. So in the morning we went over and sang it to my mom, Maryann Breskin, who joined in a bit. My brother Joe Breskin recorded us.

Burning Of The Piper’s Hut
With my friend Richard Scholtz, who also played on FlatWorld. He and I have been playing together for almost half a century. Traditional Scottish pipe tune. No video. Just sound.

Twinkle Twinkle Little Star
This last was recorded by an audience member with a cell phone. Mostly what you hear is the audience singing. This was not a children’s concert. I loved how people found their own early memories of these songs. My husband Zeke Hoskin joined in on his mandolin from the front row towards the end.